"Klunder never overreaches, never exaggerates the amount of adhesive needed for his painting to achieve unified construction for the figures laid out there. This is, of course, related to his study of and reverence for medieval altarpieces such as Matthias Grünewald's Isenheim Altarpiece with inner and outer wings wide open." - BorderCrossings, Episodic Voyeurism And The Art Of Harold Klunder, 2017.
